Speakers Push Air


Album Of The Year: The Next 25
December 1, 2011, 2:45 pm
Filed under: 2011 Top 25, Bands | Tags: ,

It’s been an amazing year for music.

Pretty sure I say that every year. And if you haven’t found anything to love in 2011, then you’re just not trying. Pretty sure I say that every year too.

2011 has been so good that some cherished bands haven’t even made my top 25 of the year. In some cases – sorry, Art Brut – it’s because although their latest album has a lot to love, it’s just not up to the usual standards. In others – The Fall and Bill Callahan for example – maybe it just wasn’t the right time or didn’t feel new and exciting enough or something. Hell, the new Bonnie Prince Billy album is pretty lovely but didn’t even make the top 50: maybe it’s all just too familar.

Anyway, ahead of the Top 25 rundown which starts on Wednesday 7th, here’s the 25 albums that came closest to making the cut, the next 25 as it were, in alphabetical order.

Abigail WashburnCity of Refuge
Art Brut
Brilliant! Tragic!
Austin Lucas
A New Home~
Beirut
The Rip Tide
Bill Callahan
Apocalypse
Cut Hands
Afro Noise 1
Death Grips
Ex Military
The Fall
Ersatz GB
Fucked Up
David Comes To Life
The Haxan Cloak
s/t
Hollie Cook
s/t
Hype Williams
One Nation
Jeffrey Lewis
Turn In The Dream Songs
Johnny & Lucy
Kite
Julianna Barwick
The Magic Place
Kuedo
Severant
Leyland Kirby
Eager To Tear Apart The Stars
Maggie Bjorklund
Coming Home
Mariachi El Bronx
II
Mekons
Ancient & Modern
Moon Wiring Unit
An Audience Of Art Deco Eyes
Shabazz Palaces
Black Up
Skullflower
Fucked On A Pile Of Corpses
Slow Club
Paradise
Those Dancing Days
Daydreams & Nightmares

You haven’t seen the top half of the chart, but it’ll be noticeable that some of the most experimental, noise or drone based stuff tends to be in the lower reaches. I guess that’s because although I’ve probably listened to more of that sort of stuff this year than any I can think of, it doesn’t tend to lodge in my brain in the same way, and also I don’t think I have the kind of critical tools to say why this year’s Leyland Kirby album is any better or worse than any of his other stuff.  Hmmm..

I also think one or two of those – Abigail Washburn, Johnny & Lucy, Slow Club in particular -might figure higher in a few months when I’ve lived with them longer.


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