Speakers Push Air


Albums Of The Year #9
December 31, 2013, 10:00 am
Filed under: 2013 Albums Of The Year | Tags:

09. The Devil – The Devil (Copy)

 

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Bad Ben Waller. I once saw him, or them – the Country Teasers – support Mudhoney at the Astoria and play a version of Pink Floyd’s Nuremberg Rally hit In The Flesh that appalled as many people as it made laugh in uncomfortable recognition. Ben Waller is that kinda guy.

But his new band The Devil is a different matter – musically amazing, lyrically slightly less bilious than usual. It calls some of the GREATEST guitarrorists from the late 80s / early 90s (you know the list – Jesus Lizard, Butthole Surfers, Big Black) and finishes with a fantastically intense cover of Kool Keith’s Girls Want You, Keith’s priapic swagger rendered flaccid and empty by Waller’s arch delivery.

 

 



Albums Of The Year #10
December 31, 2013, 9:00 am
Filed under: 2013 Albums Of The Year | Tags:

10. Frontier Ruckus – Eternity Of Dimming (Loose)

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Over the course of 20 songs, 90 minutes and around 5000 words, songwriter Matthew Milia and his utterly beguiling band take you back to their 90s Michigan childhoods and you simply won’t want to leave. This third album is getting much-deserved exposure courtesy of Loose and songs like Black Holes and Dealerships have enough melodic shimmer for the radio. As ever, the songs are driven by banjo and musical saw and Milia’s astonishing words – full of small sweet details and a hazy summer’s end melancholy that manages to be deeply personal in its specifics and yet universal in its emotional impact. Almost overwhelming in its beauty and lyricism, this album will burrow into your heart and stay there. 5/5 (Narc Magazine review)

Yep. I fucking love this band



Single Of The Year
December 30, 2013, 6:11 pm
Filed under: 2013 Albums Of The Year | Tags: ,

I don’t really keep up with singles any more – I don’t listen to much radio, don’t buy many singles unless they’re scratchy old soul 7 inches. But this tune wormed into my head early in the year and never shifted and it’s the undisputed, uncontested Single Of The Year.

I’m also a sucker for fantastic pop songs about how powerful and healing fantastic pop music can be (see also Pretty Girls Make Graves’ Speakers Push Air)

Serafina Steer – Disco Compilation (Stolen)

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Albums Of The Year: 15-11
December 30, 2013, 3:35 pm
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15. Mogwai – Les Revenants (Rock Action)

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After Zidane, this was a natural step somehow. The TV series was an impossibly French and totally compelling watch, gently chilling and beautifully shot. The music worked perfectly, Mogwai at their most meditative and understated.

14. Parquet Courts -Light Up Gold (What’s Your Rapture?)

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I kicked back against this album, resisted its charms because it is just so fucking retro, a slacker karaoke act. But it wore me down, because it’s just SO good. And if you’re going to be slavishly imitative, it might as well be Pavement, Archers of Loaf and the like that you’re slavishly imitating

13. Grumbling Fur – Glynnaestra (Thrill Jockey)

2013-12-30 12.23.54I’m going to defer to the occasionally marvelous, occasionally wretched Quietus magazine review for this one, because the writer nails it.

Grumbling Fur make me want to take drugs. And I don’t mean drugs like a few puffs on a spliff before bedtime or on a lazy Saturday afternoon, or a cheeky dabble at a rave to keep the energy flowing – I mean proper, don’t-eat-for-18-hours-beforehand, make-sure-you’ve-got-a-couple-of-good-people-around-you, psychically prepared voyaging, preferably on a warm and sunny but slightly overcast afternoon in a field somewhere in the West Country, or in a friend’s house cluttered to the rafters with fascinating and peculiar objects. On their second album Glynnaestra, the duo of Alexander Tucker and Daniel O’Sullivan conjure up a wonderfully evocative and distinctly British kitchen sink psychedelia, an intimate shared space where the whistle of a kettle and the clatter of pots and pans can sit seamlessly alongside heavily reverbed 80s pop synths, expansive rural landscapes, delectably ludicrous choruses and invocations to imaginary deities.” – Rory Gibb, The Quietus.

Yeh, that. And how nobody ever thought to do this before is a mystery:

12. Kid Congo & The Pink Monkey Birds – Haunted Head (In The Red)

2013-12-30 12.22.21Signed copy, bitches…

Kid Congo Powers was in The Cramps, The Bad Seeds and The Gun Club. He’s cooler than you, or pretty much anybody else. Even if this album was a crock, he’d STILL be cooler than you. But it’s not – of course it’s not. It’s a killer collection of dumbass garage rock, trogolodyte punk, funky go go soul grooves and steamy Latino lounge. Some songs are barely more than a riff, a drumbeat and a whispered vocal. But WHAT a riff, and WHAT a drumbeat. This is the Kid’s fourth album with his Pink Monkey Birds and it might well be the best. Like ‘Let’s Go’ says, this is music for “the cholos and the weirdos and the creeps”. Hell Yeah! 5/5

11. The Handsome Family – Wilderness (Carrot Top / Loose)

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“Press release descriptions tend to be simultaneously florid and content-free, but I’ll make an exception for the press sheet accompanying the new Handsome Family album, which describes “a world where David Attenborough meets David Lynch in a Honky-Tonk bar at midnight”. That does a fair job of summoning up the weird and fecund mood of Wilderness, the husband and wife duo’s ninth album, on which the magical realism of previous albums (full of lonely magnets and poodles who want to be cowboys and ghosts trapped in airports) goes a stage further by adding a visual element – a book, also called Wilderness, which features Rennie Sparks’ gorgeous artwork alongside essays, writings and ephemera. Rennie has long had a parallel ‘career’ as an artist and writer (check their website to see more) and this seems a logical step. To call Rennie’s work ‘outsider art’ might not do it justice, but there is something luminous and strange, perhaps a little mid-period Louis Wain, about how she captures the essence of animals.” - my Narc interview, May 



Packaging Of The Year

New levels of nerdgasm abound as I introduce the inaugural (and very short) Packaging Of The Year Chart

03. Sleaford Mods – Jobseeker (Kraak)

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It’s the combination of the cheap photocopied sleeve (with arch knob Gallagher being a knob on the front) and the none-more-crustpunk accompanying cloth patch. I wish I had a studded, painted, filthy leather jacket to sew this onto.

The Jobseeker cover was designed by the chaps from Kraak, I suppose they took on board the attitude we have about Noel. He took the money and he ran and the people hate the bastard. The people that made him rich have been abandoned by him fully and Money has become his music. When the man who wrote Supersonic claims that Kasabian are brilliant you know in your heart he is not to be trusted anymore. Noels dead mate.” - from my Sleaford Mods interview in Narc

02. Spectrum / Spacemen Three / MGMT
(Great Pop Supplement)

GPS releases are always beautiful artefacts but this is extra special. That said, I’ve never managed to put it back together properly since the day I first opened it.

 

 

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01. The Handsome Family – Wilderness
(Carrot Top Records)

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Okay, it wasn’t cheap but sometimes it’s worth spending that bit more. Inside a chunky box there’s the album and lyric sheet, a poster, a set of six postcards and a book of art and essays. All using the words, pictures and lyrics of Rennie Sparks.



Albums Of The Year: 20-16

20. Boards Of Canada – Tomorrow’s Harvest (Warp)

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Keener ears than mine picked up on sonic shifts and new production styles on this. To me, it just sounded like another Boards Of Canada album – perhaps more Geogaddi than Campfire Headphase – but unlike with the My Bloody Valentine album, more of the same suited me just fine here.

19. CTMF – All Our Forts Are With You (Damaged Goods)

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Another year, another outfit, and CTMF is Wild Billy Chyldish’s best since The Buff Medways. It’s business as usual, I guess, but with more snap and some great organ.

And those up-to-the-minute references. Standard

“the musical rogues and the Kylie Minogues, the musical knaves and the Nicholas Caves”

18. Los Campesinos – No Blues (Turnstile)

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Continuing a process started with Romance Is Boring,  No Blues has even less rough edges than before. The scrappy kids of Hold On Now Youngster have largely gone (along with half the original members) and the sound is now kinda HUGE, but this time out the songs are pretty huge too. Not their best but marvelous anyhow

17. Hacker Farm – UHF (Exotic Pylon)

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“They were preceded by a stunning performance from Yeovil agridustrialists Hacker Farm – the sound of 8bit milkchurns and military-industrial carboot tech in a crippled rave style.” – my Narc review of their Tusk Festival performance

Wonky, off kilter, twisted and glorious, the west country warlocks ended up on the mighty Exotic Pylon, which is perfect.

Instead of a youtube link to an album track with just a picture, have this instead – some of the visuals used at Tusk

16. Forest Swords – Engravings (Tri Angle)

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The first ‘proper’ album apparently, mixed in the wilds of the Wirral, this is a wonderful record, with one foot in the Ghostbox / Caretaker world and the other in the haunted dubstep / post rave scene. Careful, detailed, textured, brilliant



Albums Of The Year: Unfortunate Omissions
December 30, 2013, 10:37 am
Filed under: 2013 Albums Of The Year | Tags: , , ,

Course, you start working on your end of year list before the end of the year and you miss stuff and if you’re an OCD motherfucker like me this bothers you unduly. So you have to have a post like this which mentions four records that you’ve grown to love in the last few weeks and would have been in your chart somewhere if you’d noticed them before.

Oddly, they do overlap to some extent, in that each is sparse and flinty and acoustic to some extent. They are:

Robbie Fulks – Gone Away Backward (Bloodshot Records)

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If you only know Fulks for shitkicking country like She Took A Lot Of Pills & Died this album is a revelation – acoustic, small band bluegrass with genuinely remarkable songwriting.

Cian Nugent & The Cosmos – Born With The Caul (No Quarter Records)

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A gorgeous, slow blend of Fahey guitar and expansive backing. Imagine a folky Tortoise or something.

Charlie Parr – Barnswallow (Tin Angel Records)

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We discuss our mutual love for a fellow Duluth musician, Charlie Parr, who Low have worked with in the past. “Charlie Parr really is one of the few people who can do it, he really is in that music… It’s not a study, not a nostalgia thing or to add weight to something. When we recorded with Charlie it was effortless, it was just us sat in a circle playing the tunes. I feel like a lot of my checks and balances are dictated by how I view him and his integrity and what it means to make music.” – my interview with Alan Sparhawk from Low, Narc

Phil Tyler – We Sunk The Ship To Get Rid Of The Rats (Tor Press)

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A limited CDr release from local hero Phil Tyler (without his wife and regular collaborator Cath) that’s almost entirely solo banjo, with a smattering of acoustic guitar and vocals. Sparse, live, like being in the back room of the Cumberland Arms as he plays.




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