07. Sleaford Mods – Austerity Dogs (Harbinger Sound)
“The original blueprint (of Sleaford Mods) from 2006 still stands and I have adapted it from album to album. It helps that Andrew sorts the music. His tastes are different to mine but I like what he brings to it. It’s given it a new life. We aren’t a hip hop act at all. We are closer to rap I think, and rap’s got a planet all of its own.. Hip Hop relies on a stern beat structure and it’s become an historic medium. Rap, for me, is still fresh – it looks after Grime and the Rant and still has uncharted territory.” As for comparisons for his vocal delivery, names like John Cooper Clarke, Mark E Smith and Steve Ignorant from Crass get bandied around a lot. Just don’t compare him to Mike Skinner: “I don’t like the Streets comparisons much, a lot of Mike Skinner’s work has dated really badly… he didn’t take care of it very well. People always use the excuse that when you make it you run out of things to say. I disagree, I ain’t made it so to speak, but the struggle never ends. No amount of reward can bury that surely? There is hell in everything and it needs to be pointed at.” - Narc interview, November
08. Nick Cave & The Bad Seeds – Push The Sky Away (Bad Seed)
I didn’t get Push The Sky Away at first. I liked it, but it seemed like a minor Bad Seeds album. Only when I saw the songs performed live this year – at Glastonbury and Edinburgh – did it fall into place. Especially Jubilee Street – very good on the album, absolutely fucking raging live. This still isn’t in the very top flight of Cave’s work but it’s magnificent nonetheless.
09. The Devil – The Devil (Copy)
Bad Ben Waller. I once saw him, or them – the Country Teasers – support Mudhoney at the Astoria and play a version of Pink Floyd’s Nuremberg Rally hit In The Flesh that appalled as many people as it made laugh in uncomfortable recognition. Ben Waller is that kinda guy.
But his new band The Devil is a different matter – musically amazing, lyrically slightly less bilious than usual. It calls some of the GREATEST guitarrorists from the late 80s / early 90s (you know the list – Jesus Lizard, Butthole Surfers, Big Black) and finishes with a fantastically intense cover of Kool Keith’s Girls Want You, Keith’s priapic swagger rendered flaccid and empty by Waller’s arch delivery.
10. Frontier Ruckus – Eternity Of Dimming (Loose)
Over the course of 20 songs, 90 minutes and around 5000 words, songwriter Matthew Milia and his utterly beguiling band take you back to their 90s Michigan childhoods and you simply won’t want to leave. This third album is getting much-deserved exposure courtesy of Loose and songs like Black Holes and Dealerships have enough melodic shimmer for the radio. As ever, the songs are driven by banjo and musical saw and Milia’s astonishing words – full of small sweet details and a hazy summer’s end melancholy that manages to be deeply personal in its specifics and yet universal in its emotional impact. Almost overwhelming in its beauty and lyricism, this album will burrow into your heart and stay there. 5/5 (Narc Magazine review)
Yep. I fucking love this band
Filed under: 2013 Albums Of The Year | Tags: Disco Compilation, Serafina Steer
I don’t really keep up with singles any more – I don’t listen to much radio, don’t buy many singles unless they’re scratchy old soul 7 inches. But this tune wormed into my head early in the year and never shifted and it’s the undisputed, uncontested Single Of The Year.
I’m also a sucker for fantastic pop songs about how powerful and healing fantastic pop music can be (see also Pretty Girls Make Graves’ Speakers Push Air)
Serafina Steer – Disco Compilation (Stolen)
Filed under: 2013 Albums Of The Year | Tags: Grumbling Fur, Handsome Family, Kid Congo, Mogwai, Parquet Courts
15. Mogwai – Les Revenants (Rock Action)
After Zidane, this was a natural step somehow. The TV series was an impossibly French and totally compelling watch, gently chilling and beautifully shot. The music worked perfectly, Mogwai at their most meditative and understated.
14. Parquet Courts -Light Up Gold (What’s Your Rapture?)
I kicked back against this album, resisted its charms because it is just so fucking retro, a slacker karaoke act. But it wore me down, because it’s just SO good. And if you’re going to be slavishly imitative, it might as well be Pavement, Archers of Loaf and the like that you’re slavishly imitating
13. Grumbling Fur – Glynnaestra (Thrill Jockey)
Grumbling Fur make me want to take drugs. And I don’t mean drugs like a few puffs on a spliff before bedtime or on a lazy Saturday afternoon, or a cheeky dabble at a rave to keep the energy flowing – I mean proper, don’t-eat-for-18-hours-beforehand, make-sure-you’ve-got-a-couple-of-good-people-around-you, psychically prepared voyaging, preferably on a warm and sunny but slightly overcast afternoon in a field somewhere in the West Country, or in a friend’s house cluttered to the rafters with fascinating and peculiar objects. On their second album Glynnaestra, the duo of Alexander Tucker and Daniel O’Sullivan conjure up a wonderfully evocative and distinctly British kitchen sink psychedelia, an intimate shared space where the whistle of a kettle and the clatter of pots and pans can sit seamlessly alongside heavily reverbed 80s pop synths, expansive rural landscapes, delectably ludicrous choruses and invocations to imaginary deities.” – Rory Gibb, The Quietus.
Yeh, that. And how nobody ever thought to do this before is a mystery:
12. Kid Congo & The Pink Monkey Birds – Haunted Head (In The Red)
Kid Congo Powers was in The Cramps, The Bad Seeds and The Gun Club. He’s cooler than you, or pretty much anybody else. Even if this album was a crock, he’d STILL be cooler than you. But it’s not – of course it’s not. It’s a killer collection of dumbass garage rock, trogolodyte punk, funky go go soul grooves and steamy Latino lounge. Some songs are barely more than a riff, a drumbeat and a whispered vocal. But WHAT a riff, and WHAT a drumbeat. This is the Kid’s fourth album with his Pink Monkey Birds and it might well be the best. Like ‘Let’s Go’ says, this is music for “the cholos and the weirdos and the creeps”. Hell Yeah! 5/5
11. The Handsome Family – Wilderness (Carrot Top / Loose)
“Press release descriptions tend to be simultaneously florid and content-free, but I’ll make an exception for the press sheet accompanying the new Handsome Family album, which describes “a world where David Attenborough meets David Lynch in a Honky-Tonk bar at midnight”. That does a fair job of summoning up the weird and fecund mood of Wilderness, the husband and wife duo’s ninth album, on which the magical realism of previous albums (full of lonely magnets and poodles who want to be cowboys and ghosts trapped in airports) goes a stage further by adding a visual element – a book, also called Wilderness, which features Rennie Sparks’ gorgeous artwork alongside essays, writings and ephemera. Rennie has long had a parallel ‘career’ as an artist and writer (check their website to see more) and this seems a logical step. To call Rennie’s work ‘outsider art’ might not do it justice, but there is something luminous and strange, perhaps a little mid-period Louis Wain, about how she captures the essence of animals.” - my Narc interview, May
Filed under: 2013 Albums Of The Year, Uncategorized | Tags: Great Pop Supplement, Handsome Family, Kraak, MGMT, Sleaford Mods, Spacemen 3, Spectrum
New levels of nerdgasm abound as I introduce the inaugural (and very short) Packaging Of The Year Chart
03. Sleaford Mods – Jobseeker (Kraak)
It’s the combination of the cheap photocopied sleeve (with arch knob Gallagher being a knob on the front) and the none-more-crustpunk accompanying cloth patch. I wish I had a studded, painted, filthy leather jacket to sew this onto.
The Jobseeker cover was designed by the chaps from Kraak, I suppose they took on board the attitude we have about Noel. He took the money and he ran and the people hate the bastard. The people that made him rich have been abandoned by him fully and Money has become his music. When the man who wrote Supersonic claims that Kasabian are brilliant you know in your heart he is not to be trusted anymore. Noels dead mate.” - from my Sleaford Mods interview in Narc
02. Spectrum / Spacemen Three / MGMT
(Great Pop Supplement)
GPS releases are always beautiful artefacts but this is extra special. That said, I’ve never managed to put it back together properly since the day I first opened it.
01. The Handsome Family – Wilderness
(Carrot Top Records)
Okay, it wasn’t cheap but sometimes it’s worth spending that bit more. Inside a chunky box there’s the album and lyric sheet, a poster, a set of six postcards and a book of art and essays. All using the words, pictures and lyrics of Rennie Sparks.